Chloë Bass (b. 1984, New York, NY) is a multiform conceptual artist working in performance, situation, conversation, publication, and installation. Her work uses daily life as a site of deep research to address scales of intimacy: where patterns hold and break as group sizes expand. She began her work with a focus on the individual (The Bureau of Self-Recognition, 2011 – 2013), followed by a study of pairs (The Book of Everyday Instruction, 2015 – 2017), and recently concluded an investigation at the scale of the immediate family (Obligation To Others Holds Me in My Place, 2018 – 2024). She will continue to scale up gradually until she’s working at the scale of the metropolis. She is currently working on Since feeling is first (2023 – ongoing), a series of works examining intimacy at the scale of the courtroom and the law.

Chloë has held numerous fellowships and residencies: most recently, the 2022 – 2024 Kupferberg Arts Incubator residency, a 2022 – 2023 Silver Art Project residency, the 2022 Future Imagination Fund Fellowship at NYU Tisch College of the Arts, a 2020 – 2022 Faculty Fellowship for the Seminar in Public Engagement at the Center for Humanities (CUNY Graduate Center), and a 2020 – 2022 Lucas Art Fellowship at Montalvo Art Center. Previous honors include a grant from Art Matters, a residency at Denniston Hill, the Recess Analog Artist-in-Residence, and a BRIC Media Arts Fellowship. Her projects have appeared nationally and internationally, including recent exhibits at the Skirball Cultural Center, California African-American Museum / Art + Practice, Henry Art Gallery, The Pulitzer Arts Foundation, The Studio Museum in Harlem, Mass MoCA, Kunsthalle Wilhelmshaven, BAK basis voor actuele kunst, the Knockdown Center, the Kitchen, the Brooklyn Museum, and elsewhere. Reviews, mentions of, and interviews about her work have appeared in Artforum, The New York Times, The L.A. Times, Time Magazine, Forbes, Hyperallergic, The Brooklyn Rail, BOMB, Temporary Art Review, and Artnews among others. Her monograph was published by The Operating System in December 2018; her chapbook, #sky #nofilter, was published in November 2020 by DoubleCross Press. Her short-form writing has been published in Paletten, Hyperallergic, Arts.Black, and the Walker Reader. She is an Associate Professor of Art at Queens College, CUNY, where she co-runs Social Practice CUNY with Gregory Sholette, with whom she published the book Art and Social Action in 2018. She is represented by Alexander Gray Associates.

Download long-form CV (current as of March 2024).